Concentric rings radiate from an off centre point, a study in rhythm and repetition carried straight out of the Bauhaus preliminary course.

A modular grid of circles, arcs and bars in primary colour. The first exercise every student began with, set as a poster.

A low sun rises over stacked horizontal bands. Quiet geometry in the warm palette of a workshop at dawn.

Rectangles climb the frame in measured steps, a composition about proportion and upward movement.

Circles, triangles and stray lines scattered with intent. The looser, improvisational side of early abstraction.

A single disc balanced on the horizon, the field split into two planes of colour. Reduction to the essential.

Even vertical stripes broken by one bold circle. Order, and the deliberate flaw that gives it life.

Translucent discs overlap and mix into new colour where they cross. Additive geometry held on a warm ground.

Nested arcs rise from the base like a gateway, concentric bands of period colour in careful sequence.

Fine lines fan from a single node beneath a floating disc, structure and radiance held in tension.

Squares set inside squares, each shifted off centre. A homage to the perceptual colour studies of the school.

A heavy diagonal, a wedge and a circle in flat primary colour, the constructivist grammar of the poster at full voice.